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Often bleak, it is an undeniably brilliant piece of filmmaking.Īspiring filmmaker Katie Mitchell (voiced by Abbi Jacobson) has a strained relationship with her technophobic father Rick (Danny McBride)-not helped by his accidentally destroying her laptop right as she’s about to begin film school in California. Director Edward Berger's take on the material is the first to be filmed in German, which adds a layer of authenticity to a blistering, heart-rending cinematic effort that drives home the horror and inhumanity of war. Paul's journey is one of naivete crushed by the relentless machinery of war and state and an awakening to the way soldiers are chewed up in the name of politicians and generals. It's all downhill from there in this magnificently crafted adaptation of Erich Maria Remarque's groundbreaking novel, one of the most important pieces of anti-war literature of the 20th century. His romantic view of the conflict is shattered on his first night in the cold trenches, surrounded by death and disaster, and dealt a tragic blow with the meaningless loss of a dear friend. Hopped up on nationalism and dreams of battlefield glory, Paul Bäumer (Felix Kammerer) is an eager young recruit for the German army during the last year of the First World War. Although Troll could have easily descended into parody, Uthaug steers clear of smug self-awareness and instead delivers one of the most original takes on the genre in years. But the striking Nordic visuals and the titular menace’s ability to blend in with the landscape allow for some impressively original twists along the way. Eidsvold serves as Tobias Tidemann, the former professor chased out of academia for his crazy theories about trolls. The plot and characters will be familiar to any fan of kaiju cinema-Ine Marie Wilmann heads up the cast as Nora Tidemann, the academic with a curiously specific skill set who is called in to advise on the crisis, while Kim Falck fits neatly into the role of Andreas Isaksan, the government adviser paired with her, and Gard B.
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This gleefully entertaining giant-monster movie eschews tearing up the likes of New York or Tokyo in favor of director Roar Uthaug’s ( Tomb Raider 2018) native Norway, with a titanic troll stomping its way toward Oslo after being roused by a drilling operation. A rollicking sea-bound adventure directed by Chris Williams-of Big Hero 6 and Moana fame-it secured its standing as one of Netflix’s finest movies with a nomination for Best Animated Feature at this year's Oscars.

However, after an attempt to destroy the colossal Red Bluster goes disastrously wrong, Jacob and Maisie are stranded on an island filled with the creatures, and they find that the monsters may not be quite so monstrous after all. Jacob Holland (voiced by Karl Urban) is one such hero, adopted son of the legendary Captain Crowe and well on the way to building his own legacy as a monster hunter-a journey disrupted by stowaway Maisie Brumble (Zaris-Angel Hator), who has her own ambitions to take on the sea beasts.
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It's easy to imagine that the elevator pitch for The Sea Beast was “ Moby Dick meets How to Train Your Dragon”-and who wouldn’t be compelled by that? Set in a fantasy world where oceanic leviathans terrorize humanity, those who hunt down the giant monsters are lauded as heroes.
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Director Aaron Sorkin takes a lot of liberties with historical facts (and leaves out some hilarious bits, like poet Allen Ginsberg’s testimony, that would have made for a showstopper), but The Trial of the Chicago 7 largely succeeds in conveying the sense of generational score-settling the court battle came to signify. Kennedy and Martin Luther King Jr and Vietnam still devouring thousands of young people-and came to encapsulate the tensions tearing the country’s social fabric asunder. Johnson’s presidency-with the US reeling from the assassinations of John F.

The trial happened at the very end of Lyndon B. As anti-war, civil rights, and hippie activists involved in the protests at the 1968 Democratic Convention in Chicago, the Seven (theoretically eight) were picked as convenient scapegoats after the unrest was crushed at the behest of Mayor Richard Daley. If you’re not an American boomer, the juxtaposition of the city of Chicago and the number seven might mean little to you, but the formula stands for one of the causes célèbres of the ’60s.
